CINEMATOGRAPHER

JOSEPH TOMBLESON
I’m a cinematographer with a deep appreciation for the craft of visual storytelling. From the first time I picked up a camera, I was hooked on the idea of using light, movement, and framing to create emotion and meaning. Over the years, I’ve worked on a wide range of projects — including narrative films, documentaries, music videos, branded content, and commercials — and I’ve come to love the variety and creativity that each new production brings. No two shoots are the same, and that’s part of what keeps me excited about this work.
I approach every project with the goal of helping bring a director’s or client’s vision to life in the most visually compelling way possible. Whether that means embracing a naturalistic, handheld style or building something more stylized and cinematic, I adapt my tools and techniques to match the story and tone. I’m equally comfortable leading a large crew or working lean on smaller sets, and I always value collaboration, clear communication, and a positive, focused atmosphere on set.
At the heart of everything I do is a genuine love for storytelling. I believe great cinematography doesn't just look good — it just feels right. It supports the narrative, enhances the mood, and helps the audience connect on a deeper level. If I can help make someone feel something through a shot, then I know I’ve done my job.
I’m always open to connecting with other creatives, whether you’re looking for a DP for your next project or just want to talk ideas. Let’s create something memorable.
My journey into cinematography didn’t start with a huge, laid out plan. I still remember the first time I started filming, just experimenting with shots on an old camera. What began as casual playing around turned into something deeper. I found myself obsessed with how light moved through a frame, how changing a lens or shifting the angle could completely transform the emotion of a scene. It didn’t take long for me to realise this wasn’t just a hobby — it was something I wanted to pursue seriously.
In the early days, I taught myself everything I could — watching behind-the-scenes footage, breaking down my favorite films, and shooting as often as possible. I’d volunteer on sets, collaborate with friends on passion projects, and take on any opportunity that gave me hands-on experience. Every shoot, no matter how small, taught me something new — about storytelling, about technical craft, about working with people. Those moments were foundational. They helped me understand that cinematography is just as much about listening and interpreting as it is about cameras and lighting.
Eventually, I started building a portfolio, taking on bigger projects, and developing a style of my own. I realised that what drew me to cinematography wasn’t just creating beautiful images — it was the ability to shape feeling and narrative through visuals. I fell in love with the challenge of translating emotion into camera movement, color, texture, and light. Looking back, the path wasn’t always clear, but every step from shooting music videos to late-night edits and experimental short films, its all helped shape the filmmaker I’m becoming.